Show Me Cinema #13: The Girls

As established in my review for her directorial debut Loving Couples from back in April, Mai Zetterling was not afraid to shake things up or upset the establishment and desired to make films that directly dealt with feminism, sexuality and the patriarchy. But this came with a price. Despite the controversy and supposed international successContinue reading “Show Me Cinema #13: The Girls”

Show Me Cinema #12: A Swedish Love Story

In my column for Bo Widerberg’s Ådalen 31, I mentioned that that film’s assistant director was none other than a young Roy Andersson. And I think it’s fair to say that Andersson is without a doubt one of the most internationally acclaimed Swedish directors today, and perhaps of all time which may not say muchContinue reading “Show Me Cinema #12: A Swedish Love Story”

Show Me Cinema #11: Under the Sun

One of the biggest names in terms of the Swedish film industry is the British Colin Nutley (he moved here and settled in the 1980s). He and his wife-acting collaborator Helena Bergström (who’s played the lead in every one of his films/tv shows since 1990’s BlackJack) struck gold with their film House of Angels (Änglagård),Continue reading “Show Me Cinema #11: Under the Sun”

Show Me Cinema #10: Let the Right One In

There is a definitive, albeit not too surprising, shortage of really good Swedish horror films. In fact the only ones I can think of that have received some kind of recognition, both abroad and domestically, are Viktor Sjöström’s The Phantom Carriage (Körkarlen) and Ingmar Bergman’s Hour of the Wolf (Vargtimmen). Other than that, the majorityContinue reading “Show Me Cinema #10: Let the Right One In”

Show Me Cinema #8: Loving Couples

The 1960s were a time of change, not just politically and socially but also cinematically. Younger filmmakers had grown tired of the big and extravagant films that were produced in Hollywood. This was true not just for American filmmakers, but everywhere else around the world as well. Filmmakers in France, Japan, Britain, Italy and SpainContinue reading “Show Me Cinema #8: Loving Couples”

Show Me Cinema #5: Show Me Love

I mentioned in my review of Bo Widerberg’s The Man on the Roof how Sweden has a virtual overabundance of detective-related fiction, stretching from cinema to literature and television. You know what? Scratch that, we have an overabundance of detective fiction. Likewise you could say the same in regards to coming-of-age or teen fiction. It’sContinue reading “Show Me Cinema #5: Show Me Love”


TW: Discussions of rape and violence.   It was not my intention to review yet another Ingmar Bergman film directly after covering Smiles of a Summer Night in my previous column. I wanted to move into new territory, new director, new actors etc. But I was sucked back into Bergman for a very sad reasonContinue reading “SHOW ME CINEMA #4: THE VIRGIN SPRING”