Show Me Cinema #16: The Girl with the Dragon Tattoo (2011)

It feels weird to review an American movie for a column series that is meant to be reserved for Swedish cinema, but this is a rare occasion. Besides a few unofficial remakes of a number of Bergman’s films I can’t think of any other direct Hollywood remakes of any Swedish films. And to make itContinue reading “Show Me Cinema #16: The Girl with the Dragon Tattoo (2011)”

Show Me Cinema #15: The Girl with the Dragon Tattoo (2009)

If you’re Swedish you definitely know who Lisbeth Salander is and if you haven’t read them you have definitely heard of the Millenium Trilogy. Written by journalist-author Stieg Larsson and published posthumously, the trilogy of books have sold over 80 million copies worldwide and made Lisbeth Salander and Mikael Blomkvist household names. The books becameContinue reading “Show Me Cinema #15: The Girl with the Dragon Tattoo (2009)”

Show Me Cinema #14: Hour of the Wolf

“The hour between night and dawn … when most people die, sleep is deepest, nightmares are most real. It is the hour when the sleepless are haunted by their worst anguish, when ghosts and demons are most powerful. The hour of the wolf is also the hour when most babies are born.” Considering the timeContinue reading “Show Me Cinema #14: Hour of the Wolf”

Show Me Cinema #13: The Girls

As established in my review for her directorial debut Loving Couples from back in April, Mai Zetterling was not afraid to shake things up or upset the establishment and desired to make films that directly dealt with feminism, sexuality and the patriarchy. But this came with a price. Despite the controversy and supposed international successContinue reading “Show Me Cinema #13: The Girls”

License to Review #16: License to Kill (1989)

James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). One of the toughest things I can imagine forContinue reading “License to Review #16: License to Kill (1989)”

License to Review #15: The Living Daylights (1987)

James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). After A View to a Kill, Roger Moore finallyContinue reading “License to Review #15: The Living Daylights (1987)”

License to Review #15: A View to a Kill (1985)

James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). I’ve gone into many of the James Bond films,Continue reading “License to Review #15: A View to a Kill (1985)”

Show Me Cinema #12: A Swedish Love Story

In my column for Bo Widerberg’s Ådalen 31, I mentioned that that film’s assistant director was none other than a young Roy Andersson. And I think it’s fair to say that Andersson is without a doubt one of the most internationally acclaimed Swedish directors today, and perhaps of all time which may not say muchContinue reading “Show Me Cinema #12: A Swedish Love Story”

License to Review – Special Edition: Never Say Never Again (1983)

James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). After Diamonds Are Forever, Sean Connery reportedly said “neverContinue reading “License to Review – Special Edition: Never Say Never Again (1983)”

License to Review #13: Octopussy (1983)

James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). Before you embark on reading this review of Octopussy,Continue reading “License to Review #13: Octopussy (1983)”